Monday, May 30, 2011

Jonathan Franzen on love

posted by Nora

Different friends have been posting this to Facebook: a Jonathan Franzen essay adapted from a commencement speech he gave on technology and self and the world and the difference between "loving" and "liking." Mostly it's about love.

In it he describes a personal journey very much like Sanyasi's -- away from the world and from caring for it, toward contempt and isolation (or "being cool"), and back again, in spite of himself, to the world, through a very specific and surprising kind of love. The push-pull of Franzen's story is identical to Sanyasi's, and the lesson he gives is the same: love is where our troubles begin.

I am quoting a lot of it here, because I like the way he tells the story. The rest of it can be read here.

When I was in college, and for many years after, I liked the natural world. Didn’t love it, but definitely liked it. It can be very pretty, nature. And since I was looking for things to find wrong with the world, I naturally gravitated to environmentalism, because there were certainly plenty of things wrong with the environment. And the more I looked at what was wrong — an exploding world population, exploding levels of resource consumption, rising global temperatures, the trashing of the oceans, the logging of our last old-growth forests — the angrier I became.

Finally, in the mid-1990s, I made a conscious decision to stop worrying about the environment. There was nothing meaningful that I personally could do to save the planet, and I wanted to get on with devoting myself to the things I loved. I still tried to keep my carbon footprint small, but that was as far as I could go without falling back into rage and despair.

BUT then a funny thing happened to me. It’s a long story, but basically I fell in love with birds. I did this not without significant resistance, because it’s very uncool to be a birdwatcher, because anything that betrays real passion is by definition uncool. But little by little, in spite of myself, I developed this passion, and although one-half of a passion is obsession, the other half is love.

And so, yes, I kept a meticulous list of the birds I’d seen, and, yes, I went to inordinate lengths to see new species. But, no less important, whenever I looked at a bird, any bird, even a pigeon or a robin, I could feel my heart overflow with love. And love, as I’ve been trying to say today, is where our troubles begin.

Because now, not merely liking nature but loving a specific and vital part of it, I had no choice but to start worrying about the environment again. The news on that front was no better than when I’d decided to quit worrying about it — was considerably worse, in fact — but now those threatened forests and wetlands and oceans weren’t just pretty scenes for me to enjoy. They were the home of animals I loved.

And here’s where a curious paradox emerged. My anger and pain and despair about the planet were only increased by my concern for wild birds, and yet, as I began to get involved in bird conservation and learned more about the many threats that birds face, it became easier, not harder, to live with my anger and despair and pain.

How does this happen? I think, for one thing, that my love of birds became a portal to an important, less self-centered part of myself that I’d never even known existed. Instead of continuing to drift forward through my life as a global citizen, liking and disliking and withholding my commitment for some later date, I was forced to confront a self that I had to either straight-up accept or flat-out reject.

Which is what love will do to a person. Because the fundamental fact about all of us is that we’re alive for a while but will die before long. This fact is the real root cause of all our anger and pain and despair. And you can either run from this fact or, by way of love, you can embrace it.

When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might love some of them.

And who knows what might happen to you then?

Sunday, May 29, 2011

Audio inspiration

By Ameneh Bordi, Director

At a rehearsal earlier this month, we had an amazing exercise where we listened to the a song called "Love like a sunset" by the band Pheonix at the beginning of rehearsal. Then, at the very end of rehearsal, we walked through the rehearsal space responding to the moments in the music. In my preparation for this play, this song really strikes me as hitting on all the beats of "Sanyasi," his loneliness, his angst, the rush of the village scenes, the calm of the little girl's arrival. Confused as to what I mean? You'll have to come to the show, and then listen to the song and tell me what you think!


http://www.youtube.com/watch?v=B5Lh9uyx1Zw&feature=artist


Friday, May 27, 2011

My favorite things

I was going through the script pulling out some of my favorite lines, and I was just reminded how beautiful this play is. I wanted to share those lines with you all as well!
By Ameneh Bordi, director
-----
Can’t you keep quiet, like all decent dead people!?

My hand is a little bird that finds its nest here. Your palm is great, like the great earth which holds all. These lines are the rivers, and these are the hills.

To me, things that are beautiful are the keys to all that I have not seen and not know.

These hell creatures clatter their skeletons and dance in my heart, when their mistress, the great witch, plays upon her magic flute.

You seem to me like a cry of a lost world, like the song of a wandering star.

Nature, thou art my slave

But where is my little girl, with her dark sad eyes, big with tears?

Let us salute those stars which did throw us together. If for a moment, still it has been much.

The finite is the true infinite, and love knows its truth.

My girl, you are the spirit of all that is – I can never leave you.

Thursday, May 19, 2011

tagore _ inspiration _ innovation

50 years ago,
legendary Indian filmmaker Satyajit Ray
adapted and directed three stories by Rabindranath Tagore,
originally set and written in India
50 years before.

Teen Kanya (The Three Daughters)
is the feature that's composed of the shorts
and you can watch them all on youtube for free:

The Postmaster
Monihara (The Lost Jewels)
Samapti (The Conclusion)

each piece--as with Sanyasi--highlights a young female character
who unexpectedly challenges the lifestyles of an older man.
(The Postmaster, for sure, is worth a watch.)

50 years later,
as we prepare OUR n.e.w. c0ntEmp0rarieey production of Sanyasi,
these serve as insights on how Ray freshly readdressed Tagore's stories
while maintaining and complementing the fundamental elements that
50 years won't bury.

-keith

p.s. the shorts also have original scores (written by the director, Satyajit Ray)!

Monday, May 16, 2011

Some images I wanted to share








My two favorite images wouldn't actually let me download the photo so here are the links:

http://www.flickr.com/photos/newdimensionfilms/4775987436/

http://www.123rf.com/photo_5394277_tree-silhouette-on-fabric.html


None of these are my photos.  I do not claim copyright, they are simply research images.  And awesome pictures.

Very excited about this project.  The ideas in the images that are exciting to me are: dead trees/twigs (beauty in the naturally gritty) - especially in silhouette since we have curtains, transformation, deep color and/vs. neutrals, specific directionality, texture (light is coming through trees, leaves, etc), unexpected combinations (twigs that are tangled around a light... and what does it look like if the twigs are dropped off?), man made things composed of pieces of nature.  All of it is super preliminary and just floating.

Can't wait to chat more about it.

-Stephanie P. Freed, lighting designer

Image!

Hey Guys! Check out this cool graphic, designed by Jamie Gahlon and shaped into a post card by Michael Williams.

We are officially in the NYC Fringe, as well! Dropped off the forms and the check to them on Saturday, and they were all so nice and welcoming - they even knew the show!

Fundraising efforts are beginning, so if you'd like to be a part of this wonderful journey, contact us at Sanyasi2011@gmail.com!

Wednesday, May 11, 2011

Tagore event!

There is a really cool event being thrown by the Asia Society to honor Tagore!! How cool is that? It's may 12th (TODAY!?) - I may try to go check it out!

http://asiasociety.org/events-calendar/tagore-beyond-artistic-borders-celebrating-life-and-works-rabindranath-tagore?utm_source=Asia+Society+eNews&utm_campaign=dfc432e308-eNews_051011&utm_medium=email

Friday, May 6, 2011

Wish I could be there - evan

I know that Ameneh's starting rehearsals, and everyone is busy and struggling to find time and space to rehearse this puppy and get done the myriad things to get done before the summer, but I wanted to say I wish I could be there, and I'm starting to get that pre-project excitement. Not to say I wasn't excited before, but to be honest, I was a little skeptical - would we choose a play people wanted to do, once we did, would a play like this sound active and engaging outloud, once it did, could we get enough smart, talented people to put it on its feet? and ameneh did, which is an incredible feat in itself. I sort of mentioned to people casually I was doing "this thing" in DC over the summer, half expecting it to fizzle, but now that it is, indeed, happening and I've met the group of people working on it, I'm really truly excited and thrilled to be doing it. every theatre artist I've met whose given me advice in the last 4 years has talked about the need, the urgency, to find a group of collaborators and start from scratch, to make the kind of theatre and create the kind of opportunities that we want to be a part of as young actors, directors, designers. To stop waiting, and do. It's absolutely awesome that we, as a group, are doing just that - even if right now, focus is split a million different ways. There is something decisive here, above the idea of simply pumping out another play. Not only that, but its really gonna be fun. Can't wait to start!
also, ive started growing my beard. it will, most likely, be incredibly gnarly.